Review Sycamore 2

More of the same.

Picking right up where book one left off, Kurt and Minter join up with the resistance and begin plotting how to take down Sycamore and Amos. The same pacing and editing issues that were present in book one remain here, especially how the story dragged toward the end.

I also thought many of the new characters were equally as flat as Kurt, and I thought how Kurt and some of them were related was the height of contrived.

 I also wasn’t a fan of how no main characters were ever in danger, even when drones with missiles come after them. This really cheapened the ending, where everything wrapped up too neatly and few if anyone seemed to blame Kurt for the chaos his Seed caused.

There was also a massive plot hole: namely, the people who funded Sycamore and Amos were never brought to justice and are still out there plotting their next plan for world domination.

For these reasons, I give “Sycamore 2” 2.8 stars. A disappointing end to an interesting story.

Review: Sycamore by Craig A Falconer

An interesting idea marred by uneven pacing and flat passive characters.

In “Sycamore” Kurt Jacobs invents the Seed, a microchip implanted in people’s hand that allows them to connect to the Sycamore Corporation’s system via their VirualLenses. Soon the Sycamore Corporation, in collusion with the US government, forces everyone to be chipped and wear their VirtualLenses all the time.

There were several issues I had with this book and the others in the series. First, Kurt and the other character were flat and lacked any personality. He showed no concern for the increasingly fascist things Sycamore did until it affected him and his family.

Second, this book lacked proper editing. It’s supposed to be set in the US but used Britishisms like queue/queue up, meters instead of yards/feet, and jerry can instead of gas can. Moreover, the story dragged on to more than 60-plus chapters.

This wouldn’t have been an issue, if not for the pacing problems. Multiple chapters would go by with little to no plot progression, then event after event would happen, leading to whiplash. And as Kurt failed to react to most of these events, he came off as highly passively and little more than a plot device to experience the story.

But the biggest issue I had was we’re supposed to believe Kurt is a genius and hacker, yet he failed to foresee how his Seed could be misused and abused. This is especially glaring given later in the series we learn he frequented a conspiracy theory website. So, you mean to tell me he didn’t stop once to consider the privacy issues his Seed could cause?

I also took points off because it ended on a cliffhanger.

But the premise itself was interesting and seeing how society changed as Sycamore gained more power, becoming increasingly Orwellian, was like watching an extended episode of “Black Mirror.”

Because of the above, I give “Sycamore” 3.8 stars. If you can look past its faults, this is a decent story. 

Review: System Breaker by Craig A Falconer

“Sycamore System Breaker” is a companion story to the main Sycamore story and follows Peter Laymen, a character readers meet in “Sycamore 1,” whom Kurt helped get to his pregnant giving birth at a local hospital.

I liked this story more than those in “Sycamore X” or “Sycamore XL” as it’s more a novella/novelette, and as it’s longer and only focuses on Peter, we get to know him deeply.

I honestly wish more of the short stories were like this one. Perhaps if Falconer decreased the number of short stories in X and XL, he could have focused more on developing the characters by making the remaining stories longer.

I give “Sycamore System Breaker,” 3.8 out of 5.   

Review: Cloud Atlas

Cloud Atlas, by David Mitchell, is a series of interconnected stories that span centuries, each containing characters who are the reincarnated people from the previous stories. I wasn’t a fan of all the stories that took place in the distance, nor was I fan of the racism therein. I also thought all the stories started blurring together in a bland sameness as the book progressed.

And most of the stories failed to pique my interest aside from Sonmi-451, which follows a clone who gains sentience. Initially I thought this was a clever story, until I realized the clone in Sonmi-451 was essential an android in all but name, making it a cliche story about a robot becoming sentient.

Overall, I just thought the book was average and give it 3 out of 5 stars. You might like this more than me if you’re into historical fiction, which most of these stories were.  

Review: Carmilla by J. Sheridan Le Fanu

Like its successor, Dracula, Carmilla suffers from an ending that is anything but epic.

Set at a isolated castle in the Austria countryside, Carmilla is a horror novel in which the now teenage Laura recounts how she was preyed upon by the vampire Carmilla, and how Laura’s father and his friends eventually stop her.

I went into this book knowing nothing about it. But I deduced Carmilla was a vampire immediately, so when the big revelation came, I was not surprised at all.

Though, I was surprised how much lesbian subtext this book oozed. Carmilla professes her love to Laura and kisses her several times throughout and is possessive of Laura’s attention and affection to a disturbing degree, getting violent when Laura doesn’t do what she asks or dares contradict her. I found the whole thing toxic and perverse, when you consider Carmilla is over a century old.

I didn’t enjoy this nearly as much as Dracula, as I thought it dragged in a lot of places and had several chapters with little plot advancement. I also thought how they found Carmilla’s final resting place was a huge deus ex machina. I also thought the ending was even more anticlimactic than Dracula.

Overall, I thought this book was rather boring and don’t recommend it. I give Carmilla  2.5 out of 5.0 stars.  

Review: Bram Stoker’s Dracula

The OG Undead GOAT.

Long before Twilight, Bram Stoker’s tale of blood and supernal creatures swept the world and made vampires and count Dracula horror icons. Though, not the first vampire book, Carmilla by Le Fanu beat it by a few decades and featured a femme fatale bloodsucker, Dracula established most of the tropes and “rules” associated with these creatures.

The story takes place primarily in England at the turn of the eighteenth and follows several characters as they try to stop the eponymous Dracula. Like many novels of its day, Dracula is told through a series of letters, diary entries, and newspaper articles.

While I found the prose over formal and a bit antiquated, it held my attention throughout. I particularly loved the chase sequence and the other action-packed scenes.

Things keep building to the final confrontation with Dracula, then it ends in the most boring way. There was no epic fight; they stake him, chop off his head, and call it a day.

Aside from these issues, the latter of which I found glaringly bad, I loved this book and recommend it to anyone who loves horror or who wants something pulse-pounding to read/listen. Just go into it knowing it fizzles out in the end.

I give Bram Stoker’s Dracula  3.5 out of 5.0 stars.

Review Mary Shelley’s Frankenstein

A stellar work of science fiction and horror marred by a boring first half.

A staple of the horror genre since the days of horror greats Bela Lugosi, Boris Karloff, and Lon Chaney; “Mary Shelley’s Frankenstein” is arguably the work that defined science fiction and Gothic horror.

Told through a series of letters and first-person accounts, the story focuses on scientist Victor Frankenstein, his attempts to animate a creature he made from the pieces of corpses, and his quest to destroy said creature after he brings it to life.

Like many people, I was familiar with this story from the numerous film adaptation of it. However, I was pleasantly surprised to find not just a sci-fi/horror story, but an exploration of morality and what it means to be human. I didn’t like the parts leading up to Victor’s bring the monster to life or those immediately afterward. But I adored the portions from the creature’s point of view and learning how he learned to be human, both the good and bad aspects.

I connected with his loneliness and struggle to connect with a world that hated him because of his appearance. I would love to read/watch a story depicting the creature’s journey from barely sentient to eloquent philosopher.

Victor came off as an egotistical bastard, and I was rooting for the creature by the end for how Victor abandoned him and then seeks to destroy him, all because he didn’t bother to teach what is effectively a child how to behave.

Ultimately, I see “Mary Shelley’s Frankenstein” not as a critique on science gone wrong but a critique on society, humanity, and how we treat the other. I give it 4.5 stars out of 5.0.

You should definitely read this if you weren’t assigned it in school.

Review: Never Have I Evan

Never Have I Evan by D.J. Jamison

My rating: 2 of 5 stars

Sorry but no.

Never Have I Evan by DJ Jamison is the first entry in her male-male romance series Games We Play and follows Dawson Woods and Evan Moore.

Dawson is the cousin of Evan’s BFF Calisto and was a college football player with prospects of going to the NFL until a drunken mistake caused him to fall from a roof, injuring his spine and ending his football career. He then gets an assistant coaching offer at a high school in small town America, where he meets 19-year-old virgin and geek Evan.

Evan is socially awkward due to being home-schooled and supposedly super smart. I say supposedly because the only evidence we’re given of his intelligence is the dating/studying app he’s been working on it prior to meeting Dawson, yet it sounds like something a newbie coder could make in a few months and not something someone like Evan, who’s been coding for “years,” couldn’t bang out in a couple of days.

Let me begin with this: my main issue is this book uses some of my least favorite tropes, namely gay for you and the jock-nerd/geek couple. The latter is beyond cliched, and Jamison did nothing new with it, while I detest gay for you.

For the unaware, this is where a character who’s only previously had heterosexual relationships falls for their same gender. The problem, as in this book, is the “straight” character shows no attraction to anyone else of their gender outside the love interest, nor do they consider themselves anything but heterosexual.

For 99.999% of this book Dawson reiterates he’s straight, then in the last few pages he gives his ex a throwaway line about how he’s now pansexual. No. Just no. This wasn’t earned, as Dawson never questioned he was anything but hetero until the very end.

Furthermore, it treats sexual orientation as a plot device and reinforces the erroneous myth that people just wake up one day and decide they’re LGBTQ+.

Hell to the no.

And if this wasn’t bad enough, the reason they get together made zero sense.
When Dawson learned Evan was gay and a virgin, he suggests they have casual sex so Evan can get experience.

Boy, bye. No straight guy would do this unless they were being paid to or there were zero other alternatives.

And Dawson had zero experience with gay sex outside of porn, which he said he had a meh sexual and emotional response to when he watched it. So, explain to me how he knew exactly what to do when it came time for them to hook up, so much so there were no bedroom mishaps.

Yeah, no.

You can tell this was written by a cis het woman for cis het women, as Jamison just copy-pasted heterosexual relationships dynamics onto Evan and Dawson, with Evan being the woman. Had I known this in advance, I’d have skipped on this book.

As it stands, I can’t give this more than 2 stars and have zero desire to read the next in the series that was obviously setup at the end of this one.

Skip this and read something better.





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Review: The Mythology Book by Big Ideas Simply Explained

“The Mythology Book” by Big Ideas Simply Explained charts myths from across the world. However, so much time was dedicated to Greek and Roman mythology, and that of the wider European peoples, and barely any to people of Africa, The Middle East, Asia, Pacific islands, and indigenous folks of the Americas.


I get they couldn’t cover everything, but it seems suspect to me how they glossed over the mythology of non-European cultures. This was especially egregious regarding their treatment of African cultures. They did one detailed section dedicated to Egyptian mythology, then glossed over everything else. It would have been nice to learn more about the Yoruba people and Orishas, or the Dogon people of Mali.
I guess I expected too much.


I give “The Mythology Book” 2.0 out of 5.0 stars. Skip this if you want to learn more than the CliffsNotes version of mythology outside of Europe.

Review: Just Above my Head

Baldwin’s final complete work, Just Above My Head follows brothers Haul and Arthur Montana and their related friends from childhood to adulthood. Arthur’s death prompts Haul to recollect how Arthur became a famous Black gay gospel singer, who had to remain closeted for the sake of his career. Much of the novel is set during the ‘60s in the deep south, and tackles topics like the Vietnam War, Civil Rights, masculinity, and the intersection of Blackness and queerness.

Haul is the elder brother and narrates the events. I wasn’t a fan at first of how the story jumped from characters to characters and between the past and present. However, toward the middle the plot settled down, focusing mainly on Arthur. Haul, and their friend Julia and her brother James.

I was struck by how insightful Baldwin was regrading what we now call toxic masculinity and intersectionality, and how he laid bare the issue of child sex abuse in the Black community, something still taboo today.

The relationship between Haul and Arthur is the heart of this sprawling novel and I wish more media showed Black and brown men openly expressing their affection for each other, be that platonic or romantic. And speaking of romance, I loved how this book centered Black gay love as being natural and positive, especially given the time it was set in.

However, the passages describing Julia’s father sexually abusing her were hard to get through, And I can see how they could turn off people.

If I had one complaint, it’s, as previously mentioned, how unfocused the first half was. However, this didn’t take away from the listening experience. And by the end, I was on the verge of tears.

Overall, I give Just Above My Head 5.0 out of 5.0 stars. I can’t recommend this book enough.

Review: The Picture of Dorian Gray

The Uncensored Picture of Dorian Gray by Oscar Wilde

My rating: 3 of 5 stars


A staple of gothic horror dripping with queer subtext, Oscar Wilde’s tale of eternal youth gone awry is a cautionary fable on how beauty is only skin deep and how we must all accept we will grow old.

As it was written over a century before Stonewall and the gay liberation movement, it does suffer from the dreaded bury your gays trope. Also, Wilde’s tendency to filibuster on what he considers “good art”, and other subjects made the plot stand still at times for several passages. I also wasn’t a fan of how stuffy and pretentious the writing was.

That said, I did enjoy the novella and identified with Dorian’s wish to remain young forever, as I’m approaching middle age.

However, the way everyone thirsted after Dorian was rather disturbing, given he was described as barely out of his teens; it recalled how the queer community often puts young and beautiful people on a pedestal, then throws them away once they age out of being hot.

Overall, the ending felt maudlin and Dorian’s punishment disproportionate to his crimes.

I give The Picture of Dorian Gray 3.0 out of 5.0 stars. You should check this out if you like Victorian gothic horror, but know the ending is far from happy.

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Review: Playing in the Dark: Whiteness and the Literary Imagination

Playing in the Dark by Toni Morrison

My rating: 5 of 5 stars


Written in 1992, Playing in the Dark: Whiteness and the Literary Imagination by Toni Morrison is a work of literary criticism that focuses on how much of the western canon centers whiteness, to the exclusion of Black and Brown readers and writers, and how this limits the imaginative works of white writers.

At just over 100 pages, this is a short but dense essay, that is divided into three parts, each examining different works by white writers. It took me a minute to get what Morrison was laying down, and I plan to reread it and take notes as she packs so much knowledge and observations into such a short work.

Also, this book was a revelation to me, and I read it at exactly the right time. When I began writing, I eschewed “Black” stories and dialect, favoring universal (white) characters and modes of speech.
However, following the death of George Floyd, Brianna Taylor, Sandra Bland, and too many others to name, I’ve been leaning into my Blackness and pulling on the lived experiences of those around me.

Rather than swing from one extreme to the other, Morrison’s essay has showed me I don’t have to “write Black,” just write my truth by centering Blackness and not dumbing things down for those outside the culture.

What I loved about Morrison’s criticism was her unflinching honesty and lack of concern for the reactions of others. I also loved how she broke down things in each example she gave. Her prose was as precise as it was concise and was a pleasure to read.

While I was familiar with her fiction, this was the first piece of literary criticism from Morrison I’ve read, and I want to read more of her essays.

I can’t recommend this enough and given its low page-count it could easily be read in a day or two, making it the perfect weekend read.

If I had one criticism, I wished it were a bit longer, as I felt some topics were touched on without being fully explored. But otherwise, it was a great read. I give Playing in the Dark: Whiteness and the Literary Imagination 5.0 out of 5.0 stars.




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Review: Beauregard And The Beast

Falls flat on both the romance and fairytale retelling.

Let me start by saying I wanted to like this book. A gay spin on Beauty and The Beast? Sign me up. Grumpy/sunshine, introvert/extrovert, nerd/jock? Triple check. However, this didn’t do it for me.

I will say from a technical standpoint Evie Drae is a competent writer as this book had few if any typos, grammatical errors, and was formatted well.

That said, this book failed to deliver on both the romance and fairytale aspect. Bo and Adam had no chemistry whatsoever and instantly wanted to hook up with each other. And aside from being gave and supposedly liking books, they had nothing in common.

I say supposedly because I don’t recall Adam ever picking up a book besides when he and Bo are studying to get their GED.

This combined with their lack of chemistry had me scratching my head as to why they’d be declaring their undying love for each other after only a few months of knowing the other, let alone why they’d be together at all. It felt to me like their whole relationship was surface level and based solely on looks/wanting to hook up.

As for the Beauty and The Beast aspect, it was nonexistent. You could have changed the names and it would have no effect on the story. There was no curse, no magic, no whimsy at all.

Additionally, the whole third act could have been resolved in a matter of paragraphs had they just talked and been honest with each other about what they wanted and were thinking/feeling.

As for the sex scenes, they lacked emotion and sensuality and towards the end I skipped them as they added nothing to the story.

This leads me to my next issue. Halfway through the second act, the story drags and by the last 60 or so pages I was tempted to DNF as nothing was happening. And by the end I was just glad to be done with this story.

 This book just didn’t spark joy for me. Check it out and maybe you’ll have a different experience.  

I give Beauregard and The Beast 2.0 out of 5 stars.

Review: Claime Me, Love Me

Claim Me, Love Me by Jaiyde Thomas

My rating: 1 of 5 stars

What a hot mess, emphasis on mess.

Claim Me, Love Me by Jaiyde Thomas is a BDSM m/m romance. It features Josiah, an out and proud frick boy who’s blind; and Caleb, his Uber driver, who’s closeted and suffers from anxiety and intimacy issues.

I wanted to like this book as I felt for Caleb and Josiah, but this book missed the mark in so many areas.

First, there was zero chemistry between Josiah and Caleb. They become obsessed with each other after exactly one meeting and then declare their undying love after only knowing each other a few months. I honestly don’t see what they saw in each other as they didn’t interact much, and when they did it was mostly to hook up (more on this later).

If this weren’t eye-roll-inducing enough, so much of the “conflict” in this story could have been easily solved had they just talked to each other. Also, they both needed a ton of therapy, but like in so many bad romances, Caleb’s and Josiah’s issues magically get better through the power of love (cue eye roll).

I don’t know much about BDSM, but I do know informed consent is a big part of it, and that was completely lacking with Josiah and Caleb. Josiah constantly sprang things on Caleb and expected him to be cool with it. And not to kink shame, but I found the whole Sub/Dom thing as depicted in this book to be abusive like crazy.

If someone isn’t comfortable doing something, as Caleb makes clear to Josiah several times throughout the book, then you should respect their boundaries. Yet, he kept pushing Caleb to do things he wasn’t ready for.

But the biggest offender in this book is the writing, especially the dialog. It’s just so bad. Like every time someone talks, they always say the other person’s name. Also, so much passive voice. And I lost count of how many times I cringed during Caleb and Josiah’s Sub/Dom conversations.

The common thread between them all being it didn’t ring true and felt forced.

I kept reading, hoping things would get better but they got worse, and I found myself skimming the pages, especially the mechanically sex scenes devoid of any emotion or sensuality.

And while I’m on the topic of sex scenes, there’s a scene where Josiah gets wasted and has unprotected sex with multiple people, then he later talks about how he doesn’t want to risk passing anything to Caleb so they should hold off on sex until he gets his test results. Yet they then have unprotected oral sex.

Make that make sense.

This book was just a hot mess, and I can’t give it more than 1 star. Skip it.





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Review: Storming (The Coven of Zora #2)

The second entry in LD Valentine’s QPOC-led fantasy series finds water witch Adam taking the reins as coven leader after a powerful psychic demon enthralls Xavier and kidnaps him.

It took me a minute to get into this book, but once I did, I loved it. It was nice seeing all the characters grow and respond to Xavier’s absence. I also liked the scenes between Adam and Serea and how they butted heads, and him having to deal with the politics involved with Zora.

But this book isn’t without its faults.

First, after Adam and Max got into a fight, I thought they were too easy to forgive each other given everything that transpired between them.

Second, the story dragged a bit towards the middle and got repetitive with all the scenes of them fighting Xavier only for him to best them and retreat.

Third, I felt how Adam survived a fetal encounter tipped into deus ex machina territory, as it’s something that no water witch has ever been able to do nor is it ever explained and only commented on twice.

Fourth, the ending came off rushed, anticlimactic, and things wrapped up too neatly.

That said, I liked this book overall and can’t wait for the next in the series to drop. If you liked the first book, go ahead and add this one to your TBR list now.   

I give Storming (The Coven of Zora #2) 4 out of 5 stars.