One Year Later: Seven Lessons Learned from Self-Publishing a Debut Novel

Introduction

Welcome, readers.

Last Thursday marked one year since the release of my debut YA dark Sci-fi/fantasy novel, Palingenesis. This post will explore the lessons I’ve learned from this experience, and I hope you find it helpful.

Those of you’ve who’ve followed me on Twitter (@silentbutcuddly) know I worked on this book for years, which leads me to my first lesson.

Lesson 1: Patience

 Like any activity, it takes time to hone your writing skills. Sure, it sucked seeing my feed filled with folks talking about their published works, but I wasn’t there yet. And if you aren’t either, that’s fine.

I got my start writing maudlin poems in middle school, then later wrote equally bad fan fiction.

My point being: take your time and allow yourself to write awful crap, break all the rules of storytelling, characterization, and world building. I know I did (lol).

Also, don’t fall into the trap I did of thinking your writing has to be perfect every time the first time or you suck. It’s a learning process, so be gentle with yourself. This assumes you actually write, which leads to my next point.

Lesson 2: Writers Write

One of the major reasons it took me so long to release my first book was because I didn’t write. I spent a good 3-5 years reading and watching everything I could about the various aspects of writing, but I never wrote. And when I did, it was only in spurts when I felt inspired.

The result?

 I didn’t cement the knowledge all the knowledge I learned, and for years I put off writing the story that was in my head because I feared I wasn’t good enough and no one would like it (fears I still have, but I’ve learned not to let them rule me.).

Then at 25 I had a turning point: I discovered Geoff Goins, his Tribe Writer Course, and the community that grew around him and his work. And it gave me the courage to stop playing at being a writer and actually write.

And while I wrote a ton in the ensuing years, I rarely showed my work to anyone, as my ego was too fragile to handle criticism, and my writing ultimately suffered for it.

Lesson 3: Don’t be Afraid of Putting Yourself and Your Work Out There

Like many writers, I’m an introvert and shy away from large crowds and meeting new people (sans my college days, when I frequented night clubs and got drunk on a weekly basis). But being a writer, especially an indie writer, requires you constantly pitch yourself and your work to people if you want to build buzz for your book.

I’m still working on this, but if I could do one thing over, it’s this. I’d reach out to more local media, book bloggers, and book influencers on social media.

I’d have also joined writing groups sooner to help me improve my writing.

 I didn’t work up the courage to seek one out until I approached thirty, when my therapist suggested I do so. They called themselves the Mad Hatters and met at Affirmation, a local LGBTQ+ center.

I was terrified the first time I went there, but everyone was kind, and over the next several meetings my confidence rose, and I started sharing my work and am still friends with some of the members to this day.

Unfortunately, this group fizzled out after a few years, so I drifted long, tinkering with my WIP, until I joined my current writing group a few years ago.

The group leader, Mychelle, welcomed me immediately and gave me tough love when needed to improve my luck. I credit her and the other members with giving me the final push to publish Palingenesis.

Lesson 4: Write, Revise, Release, Repeat

Image by Felipe Spinola via scop.io

I used to marvel at writers who could work on multiple projects at once, as I could only focus on one story at a time. But I’ve since learned this was an excuse I used to stop myself from releasing my work.

My logic went something like this: if I only focused on one project at a time, I could make it perfect. But the truth is no story will ever be prefect, and this was just a stalling tactic on my part. I’ve now learned to juggle multiple projects and have set myself a publication schedule for the next few years. As of this writing, I have three WIPs in various stages with plans to start two more next year. But what changed?

COVID-19 happened.

Pandemic Panic

Like many of us, Covid turned my world upside down. For the first several months of the pandemic, I was a virtual hermit, only going out to buy groceries or refill my medications, and always masked up (which I continue doing today).

As I mentioned above, I’m an introvert, but after the first month or two or little human contact, my anxiety and depression skyrocketed to the point getting sick and possibly dying were constant thoughts, but as I wrote here, I had an epiphany.

I didn’t want to die without having published anything, so I redirected all that anxiety into finishing my WIP, and I contacted an editor friend on tweeter and submitted my manuscript to them.

My editor’s initial notes weren’t good and amounted to me needing to do a complete rewrite. And ya’ll, it devastated me.

Lesson 5: Dust Yourself Off and Try Again

After I received those editor’s notes, I was tempted to give up, but after I got over myself, I realized a rewrite was an opportunity to improve my book. And I’m glad I chose that route instead of being all butthurt and up in my feelings.

So much of writing, especially for indies, is fraught with setbacks and rejections. But like Aaliah sang, “If at first you don’t succeed, dust yourself off and try again.”

From personal experience, I know this can be hard to do when your timeline’s full of people talking about their book/TV/movie deals while you’re still an unknown writer.

I’m not gonna lie, I thought Palingenesis would be the next Harry Potter or Percy Jackson. But like I said, my sales reports determined that was a lie.

I had all these expectations, but after it released to no commercial or critical success, it crushed me. I thought about quitting writing.

However, don’t let this discourage you from dreaming big. Yes, keep your expectations for your first book low, but don’t let poor sales stop you from writing the next book and the one after that.

When I calmed down, I told myself one book won’t make or break me. And it won’t you either. Click here to read a post I wrote a while back on staying positive during your publication journey.  

So, I’m working on other stories, and it might take a while, but eventually I’ll find success. And I know you will too.

Lesson Six: Success Looks Different for Everyone

There’s a maxim that says writers need to have published at least twenty books to earn enough income to be full-time writers. But success is different for everyone. While books may be one writer’s only source of incomes, others might do speaking engagements, classroom visits, be writing coaches or editors on the side. And most writers have day jobs.

I know of indie authors who also make comics/manga and video games/board games based on their stories. My point being, don’t limit yourself to one medium. Define what success is for you, the means of achieving that, set goals, and take steps to achieve them.

One way I plan to build my readership and make extra money is by publishing short stories on Amazon for $1-2 each. I also plan to do book signings at local libraries once things with COVID-19 settle down and apply to book festivals and anime/comic cons to sell my books. I’m also planning to get certified as a copy editor and developmental editor in the next few years.

But all of this would be pointless if I didn’t have a greater reason for writing.

Lesson 7: Your Reason for Being a Writer Must be Greater than Yourself

Interrogation point in digital thumb print

 The starving artist is a cliché for a reason; most books only sell a few hundred copies in their lifetime and most writers, indie and traditionally published, earn less than $10,000 a year. So, if money is your sole motivation to become a writer, prepare yourself for a world of disappointment.

I learned this the hard way. The truth is people release hundreds of books every day, and even with marketing and a ton of luck it’s rare to make it big, especially as a debut indie author. So, your reason for writing must be bigger than financial gain, bigger than yourself, or like so many others, you’ll lose your passion and quit.

As I’ve previously mentioned, when sales of Palingenesis didn’t meet my expectations, I pondered quitting writing and doing something else with my life. But then I remembered why I started writing in the first place.

Coming of age in the late 90s/early 2000s, there were few positive depictions of LGBTQ+ folks and fewer still of geeky Black and brown queer people like me. So, I decided to change that by filling the world with all the stories I wished were around when I was a kid.

And I cling to this raison d’etre when things aren’t going well in my writing or personal life, because it’s not about me and getting my ego stroked.

 It’s about all the LGBTQ+ youths of color out there starving to see themselves and their narratives in the media they consume. It’s about affirming they are just as worthy of dignity, love, and respect, that they too can be heroes and heroines; and that, yes, their lives matter.

You too must also find your why and return to it again and again when the world knocks you on your ass, because trust me, it will.

Look within and honestly ask yourself what impact on the world do you want your books to have. And go from there.

 An excellent exercise for discovering your why is to craft a mission statement like businesses do. Start by listing all your hopes and goals, then drill down into what’s most important to you, and refine it until you’ve laser-focused on why you write.

This may take several tries, but once you’re done, print it out and post it somewhere you’ll see it often, so you can turn to it during those dark times in your life and remind yourself what you’re working towards.

Conclusion

  The advent of the internet, e-books and e-readers, and self-publishing platform like Amazon’s KDP and IngramSpark have allowed anyone to become a writer. But competition for readers has never been fiercer. Add in the ever-increasing myriad of other things vying for people’s attention and it’s a miracle books are as popular as they are.

It’s difficult being a writer, especially a debut indie author. And if I had it to do over again, I would have lowered my expectations, started much sooner, and reached out to more people.

I hope you learn from my mistakes and your debut goes better than mine did.

As for me? I plan to take the lessons I’ve learned and use them to help me streamline the process for my next book release.

Thanks for reading and have a great day.

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If you’ve enjoyed this post and found it helpful, please share it on social media. And if you’re a seasoned writer, add any useful tips or lessons you’ve learned in the comments.

Also, personalized signed paperbacks of Palingenesis are still available here, while supplies last.

More Than Three Words: On Using Love Languages to Express Characters’ Emotions

Introduction

Welcome!

Today’s post will explore love languages and how we can use them in our writing to express characters’ emotions.

Without further ado, let’s begin.

Love Languages

Popularized by Gary Chapman in his 1992 book, The Five Love Languages: How to Express Heartfelt Commitment to Your Mate, love languages are how people show their affection for others.

According to Chapman, everyone expresses and receives love in one of five ways or languages, which I’ll discuss next.

First up is Words of Affirmation, i.e. compliments. If this is your love language, then your heart flitters when your significant other says they love you or gives you words of encouragement. To you, words speak louder than actions.

Next is Quality Time. In this love language, it’s all about spending time with your partner and showering them with your undivided attention. If this is your love language, then a quiet night in with a candlelight dinner and massage would be your jam.

Third is Gift Giving, in which people show and express their love by giving presents. If this is you, then your heart swells at the thought of your partner dropping mad stacks on you, or you doing the same for them.

Fourth is Acts of Service, whereby you do things for others. For examples, growing up, my mother would often go without eating, so I and my siblings had enough to eat. On a less serious end, this could mean changing your partner’s oil, mowing the lawn, or doing the dishes for them.

Last is Touch, where you express your affections via hugs, holding hands, cuddling, kissing and sex.

While Chapman argues people have one love language, I am a mix of Touch and Acts of Service. But how can we use love languages in fiction to express our characters’ feelings for each other without having them constantly shouting “I love you!”?

I’ll explore this next.  

Uses in Fiction

But why is it important to have your characters do and say things other than I love you to show they care about each other?

Several reasons.

First, it comes back to the old age of show don’t tell. If you don’t show us two or more characters love each other, then no amount of I-love-you’s or kissing fests will prove it otherwise. You must build the chemistry between the love interests, and this is where the love languages come into play.

Second, use of love languages allows you to show the love interests’ building relationship. You can start by having characters do acts of service for each other or hold hands, then transition to cuddling or hugging as they’re relationship intensifies.

Third, using love languages makes for richer reading.

No one wants to read endless pages of characters declaring their undying love for each other if that’s the only way they express their feelings. For example, in my debut novel Palingenesis, Travis expresses love via acts of service, while his boyfriend Josh expresses it through touch. This makes for complications as Travis is touch adverse.

Fourth, they allow you to flesh out character personalities. For example, you could have a stoic character whose love language is Words of affirmation, or you could have a shy character whose love language is Touch or acts of Services and makes a grand romantic gesture in public.

Fifth, we can use them to show how a character cares about someone by having their actions at odds with their words.

An example of this in anime/manga is the tsundere trope, where one character starts out gruff/mean to everyone else, but slowly warms to their love interest. Travis is this to a T, while Josh is a textbook yandere, a character that starts off sweet and innocent before morphing into an obsessive often psychotic one.

Another example from my childhood is Helga Pataki from Hey Arnold, who bullies Arnold, yet has a shrine to him in her closet made of his discarded trash. There’s even an episode where she sees a therapist who points out how obsessed she is with Arnold and asks if she loves him.

Helga blows her off, but it’s clear from her actions and words she loves Arnold.

Other examples of this include how the writers of Supernatural often had Dean and Castiel joke about being boyfriends or had other characters comment on their close relationship for ten years, culminating in Castiel’s confession to Dean that he loved him in the second from last episode of the series.

They promptly sent Castiel to super hell, but my point is the confession wouldn’t have the effect it did had the writers not used loved languages; most notable by having Dean and Castiel sacrifice themselves for each other several times over the years.

Contrast this with Harry and Ginny, whose relationship had zero chemistry or page time dedicated to it. Harry goes from not even noticing her in Order of the Phoenix, to being obsessed with her in Half-Blood Prince. Hell, Harry and Draco had more chemistry. And even though I’m a Harry/Hermione shipper, I readily admit Hermione and Ron had more chemistry than Harry and Ginny.

Sorry, rant over.

But this leads me to my next point.

Romantic Tension

As I mentioned above, we can use love languages can to build romantic tension, as done in series like The X-Files, Law & Order: SVU, Bones, and other shows built on will they or won’t they.

If Booth and Brenan didn’t rush into danger to save each other, if Mulder and Scully didn’t gaze longingly at each other, their eventual confessions of love wouldn’t have the same effect it did.

By using Touch, Acts of Service, Words of Affirmation, etc. the writers could keep audiences hooked for years.

But not all love need be romantic.

Ace/Aro Rep

We can also use love languages to express platonic relationships, too. One of my favorite platonic ships is Yusuke Urameshi and Kuwabara Kazuma. Heterosexual platonic life mates, they show their affection through Touch, namely fighting each other. Hie and Karama also get a shout out as demon bros for life. Goku and Vegeta from Dragon Ball Z are similar, in that they start out as rivals before becoming friends who would sacrifice themselves for the other.

But my all-time favorite platonic relationship is that between the boys from Stand By Me. There’s something so wholesome about watching them laugh and joke around with and stand up for each other. A lot of writers could learn from this movie.

But I digress.

Conclusion

Let me end this by stating emphatically, there is nothing wrong with having your characters say, “I love you.” But this shouldn’t be the only way they express their feelings for each other. Have them run the other a bath, do their taxes, rub their feet after a long day at the cash register, buy them feminine products when they’re low, give them a pep talk when they’re down, buy them their favorite chocolates or that outfit they’ve been eyeing, and say I love you!

Thank you for reading and if you enjoyed this post, please share it with your friends and let me know your thoughts in the comments.

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5 Lessons Tyler Perry Can Teach Us About Writing

Introduction

Welcome readers! Today’s post is all about Tyler Perry and the lessons we can learn from his life and writing process.

Perry’s CV

Often criticized and mocked for his formulaic movies and plays, Perry created a niche for himself by telling stories that resonated with his mostly Black Christian audience, which enabled him to become a multimillionaire and build a media empire.

But how did Perry get his start?

Long before he played Alex Cross, Perry wrote plays such as I Know I’ve Benn Changed that featured strong Black woman and Christian themes. Initially, Perry’s plays were met with poor reviews and at one point, he lived in his car.

 But he kept writing, editing, and retooling his plays until he they resonated with audiences in Atlanta and beyond.

He got his big break playing Medea in the movie version of Diary of a Mad Black Woman, based on the play of the same name. And it’s his role as Medea that Perry became famous playing and most reviled for.

From there he branched out into screenwriting for film and television, producing, and created a media empire. All because he didn’t give up. I’ll next explore the lessons we can learn from him.

Lesson One: Persistence

Had he given up when he was living in his car, Mr. Perry might not be the multimillionaire he is today, and his dedication to writing is something we can all learn from.

So often writers give up when things get hard, whether in their personal life or with their WIP. At the first hurdle, we’re ready to concede the race, but if we want to make it, then we can’t give up so easily.

You see this often with newbie authors, especially during NaNoWriMo; everyone is psyching each other up about writing a novel in a month.

Then come December, many of those same writers are nowhere to be found when the tough work of making that rough draft into something readable must be done.

You see the same thing in online writing communities where people will start off with such exuberance over their WIPs, only for them to nosedive once the reality of what it takes to be a writer sets in.

I speak of this from personal experience, as my debut novel took several attempts over many years and multiple rewrites before it was publishable. This is because I, like many new writers, only wrote when I felt inspired or when the stars aligned. But I’ve since learned from Mr. Perry’s example and others that you must be persistent with your WIPs or they won’t get done.

Likewise, you must give yourself the time and space to hone your craft as Mr. Perry did.

Lesson Two: Patience

As I mentioned above, when his plays bombed, Tyler Perry continued writing his plays, retooling them, but he also steadily built an audience until he got his big break.

So often we writers and creatives are in a rush to get famous, especially with social media flooding our feeds with news of people getting book and movie deals almost on the daily.

It’s so easy to become jealous and bitter at everyone’s apparent overnight success. However, we can’t let our emotions blind us to the truth: every overnight success was years in the making.

We must get good at our craft while building an audience for it; two things which Mr. Perry did that required patience.

When I first started writing, I had the mentality that if my book was good enough, people would just buy it.

 But that was not the case.

With more people than ever writing and releasing books, you need to market your book like crazy and build a readership.

  Hell, I’ve been on social media writing spaces for over a decade and am still trying to build my author platform. Which leads me to my next point.

Lesson Three: Find Your Audience and Give Them What They Want

Though he’s often criticized for recycling the same themes and plots, Mr. Perry’s audience continues to see his work, so they must like it. More importantly, he’s found his tribe.

But how did he do this?

Easy: repetition and iteration. By putting his work out there over time and fine-tuning it until it resonated with people, he found his audience, what they wanted, and continues giving it to them.

And so too must you if you want to build a readership.

Don’t be afraid to try hard and fail often on the way to success like Tyler Perry did. His work, like yours, isn’t for everyone, and the sooner you realize this, the better you and your work will be.

Though often disparaged for writing for the “Chitlin’ Circuit,” venues geared toward Black audiences in the Midwest, south, and eastern US, Tyler Perry found success here because he gave the market what they wanted, while remaining true to himself and his artistic vision.

It’s this razor’s edge we must balance if we hope to succeed. And you do this by sending your work out into the world and taking in the feedback you receive while retaining your vision for work.

But as you’ll see next, not all criticism carries the same weight and  you should ignore some of it, especially if it comes from those outside your audience.

Lesson Four: Screw the Haters

People often criticize Perry and his work for perpetuating negative stereotypes about the Black community and pushing his religious worldview. Critics claim Medea and other characters of his perpetuate the stereotype of the Mammy, and that Perry’s tendency to make the villains of his works dark-skinned and the heroes/heroines light-skinned is colorist and rooted in anti-Blackness. He’s also been called out for not using writer rooms and instead writing all his work himself.

I find merit in both complaints. However, there is no denying some of his critics are just haters and you’ll have your share of them too.

No work is universally loved, and writers must have a thick skin if they want to make it. And as I stated above, if you want to get better at writing, then you must be open to constructive criticism.

Had Perry not heeded the feedback he got on his early work he might still live in his car. However, there’s a difference between constructive criticism and straight up haters. The former is rooted in reality and should strengthen your work, while the latter is rooted in jealousy and/or outright hate of the creator or their work.

So take nothing someone says about your work as the gospel truth.

 While Perry’s movies often don’t score high marks from critics, he’s not writing for them. He’s writing for his audience, and so should you, as they are the ones buying your work. And Tyler Perry knows this well, which is why he continues delivering the same work with the same themes and characters.

Because they have proven to be profitable.

But as I’ll show next, Perry wasn’t content pumping out the same content. He branched out into TV shows, movies, acting, producing, and built a media empire.

Similarly, writers must branch out, which requires stepping outside of our comfort zone.

Lesson Five: Step Outside Your Comfort Zone

The success of his plays allowed Perry to transition to screenwriting for film and television, and eventually trying his hand at acting, making him a multimillionaire. But he’d never have gotten to this level of fame had he not taken the risk of stepping outside his comfort zone.

As writers and creatives, we can get so attached to a genre, theme(s) and characters, they we cease growing and pigeonhole ourselves. Sure, write what you love, but if you aren’t willing to take risks with your work, it’ll result in stale stories that will bore your audience.

Moreover, don’t wed yourself to a single medium. As writers, we can create stories for comics, manga, video games, and other media outside of books. And with the advent of the internet and social media, we can experiment with various platforms such as Kindle Vella, Amazon’s serial novel platform, Webtoons, and other online comics/manga sites to get our stories out there.

The point is to experiment and find what works best for you to connect with your audience and give them what they want.

Of course, with any experiment, there will be failures, but if one thing fails, you keep going until you find something that works. Give yourself permission to try new things and fail hard often. Don’t be afraid to say yes to an opportunity, even if you aren’t sure you can do it. Treat everything as a learning experience and reiterate your process until you’re where you want to be.

This’ll mean facing your fears, and one of the biggest we must slay is that we and our work aren’t valuable.

So often you see the advice to give away your best work, but your endgame should be creating multiple streams of income from your writing, as Perry has done. And you can’t do that if you’re paid in exposure, or you severely devalue your work. You’ve spent months/years working on your WIP, so you deserve to get paid well for it.

By stepping outside your comfort zone, you just might find your next hit, and if you’re lucky, become the next Tyler Perry.

Conclusion

Love or hate him, there’s no denying Tyler Perry has found his audience and continues to give them what they want time after time. You might not agree with his process, but then every writer has their own way of doing things. So, take what you will from this post, then go out into the world and write your asses off.

Thanks for reading this post and let me know your thoughts in the comments below.

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MSM

Straight acting, masc4masc; no fats, no fems, no blacks, or Asians; DL4DL, what the hell is wrong with us? 

 Don’t we get enough hate from straight society,  

So why do we then discriminate against who we’ll date? 

The number of abs you have or the reps you can lift  

Doesn’t make you God’s gift to men who have sex with men.  

We are all kin of the rainbow nation,  

So cool it with the discrimination. 

Some men are masculine, some are feminine,  

And some are in between. 

 Regardless, this is no reason to be mean, to cut to the quick. 

I’m sick of this shit, so I’ll cut to the chase.  

We all suck dick the same, so stop the shame game  

And let people do their own thang.  

Bang who you want to bang,  

But don’t be surprised if being a dick leaves you holding yours.  

Haircut

Hair falls to the floor,

The clippers buzz past your ear

Summer’s not far off.

Pride

Much has been said about when two members of the same gender

Share the same bed.

I can picture you now clutching your pearls,

Ready to hurl.

But the issue isn’t me.

See, when two dudes screw, you say eww.

Oh, boo hoo.

Oh no, booboo.

You don’t get to dictate who I date

Based on your supposedly Biblically-mandated hate.

Not when you pick and choose which verses to hurl at me like curses,

While ignoring the ones that would be inconvenient for you to follow—

Like working on the Sabbath; eating pork, lobster, and other shellfish; or wearing clothes of blended fabrics.

I doubt these are habits you’d kick and that makes your castigation hollow.

Don’t get it twisted.

Because I take another brother as my lover

Doesn’t diminish the spark of divinity in me.

I am not of the Enemy or less than because I love men.

I am not a traitor to my race or a waste of space for loving who I do.

So do not “pray” or weep for me.

A lion does not lose sleep over the baas of sheep;

I will not let you shake my equanimity.

For if God can bring light to those lost in the eternal night,

Restore sight to the blind, and breathe life into the dead,

Then if I eat the bread of life,

It shouldn’t matter to Him who I take to bed.          

Listen

Every day, people go on a mission to be offended by what they’ve heard

Because they did not listen.

What the heck with things like context;

As soon the warning goes out on social media,

The dog-piling begins.

Have we become so thin-skinned that a comment we don’t like

Warrants death threats and ending a person’s professional life?

Whatever happened to let’s agree to disagree?

Whatever happened to civility?

Why do we assume the worst and presume guilt before all the evidence in.

Because we hear but do not listen,

And every day our division grows;

We split into smaller and smaller factions in reaction to people’s speech and actions.

But I suppose that’s okay,

If you avoid anything verboten.

Foreboding or not, you decide. But soon there will be a lot we can’t we do or say,

And we’ll spend all day hiding away,

Afraid our words and actions could be misconstrued as offensive.

Because even the smallest slight will earn our hides a tanning.

I’m not stanning the banning of political correctness,

Just a less zealous reaction to things with which we disagree,

To listen to each other’s words and not just hear what we fear.

Tattoos

The needle breaks skin; 

The agony and ecstasy as the outline begins. 

The pain is temporary, but the design will always remind you  

Of all the shit you’ve been through. 

Each tattoo, old or new, is a totem, 

 A mark from your heart 

 That expresses your divine spark. 

Whether black and grey, technicolor; or red, white, and blue;  

Traditional, color realism, or new school,  

All tattoos are cool.  

Just make sure you don’t get kanji thinking they mean strong  

But instead they mean prostitute.  

And that they are grammatically correct,  

Lest people forever question your intellect.   

Scars

We all have them, be they physical, psychological, emotional, or spiritual.

From all the stupid things we did as a kid, both unintentional and

Self-inflicted from trying to repeat the actions depicted on TV,

To the wounds from our first serious break up,

Our scars make up the core of our character

And are boons that shouldn’t be hid away.

Every day we get new scars from the demons we must slay,

But I’m here to say we needn’t shy away or hide.

Instead, we should wear our scars with pride.

Why?

Because they are a reminder that we’re still alive,

That we survived,

That life has thrown a bus at us,

 But they roar loud and clear,

“We’re still standing.”

 We have nothing to fear because

We’ve faced death and we’re still here.

This poem is meant as a lyrical miracle,

A salve to solve your tears.

We need not heed our nightmares

Because our scars are our trusty steed

And will see us through the darkest night.

All we need do is remember our scars are near

 And we will find our inner light.      

Screens

Social media, the internet, and technology are great,

But now we live our lives in a world of screens;

Big ones, small one, even ones we wear.

But in this interconnected world have we forgotten how to care about anything but our screens?

It’s gotten quite obscene the way we no longer interact with each other.

The beauty of the world around us goes unseen,

While we like, retweet, and react to the latest meme

or demean the latest target of the cyber gestapo for daring to go against the established flow.

We’ve become so addicted to our screens we’ve become afflicted with maladies such as text thumb and neck.

Heck, it’s even affecting the way we sex,

From sexting to Netflix and chill.

Our society is ill,

And the only remedy is to put down our devices

And treat them like the vices they’ve become

Before we all go blind, deaf, and dumb,

Numb to everything but our screens.

Instead of looking something up, use your memory.

And if you want to communicate with people then don’t hesitate.

Call them or even better,

Write them a letter.

Stop swiping right, go out and enjoy a night on the town,

Before all the clubs shut down.

As for me,

I’ve had my fill of screens

And will do more to enjoy the analog world.

If you know what I mean,

Then put down your screens.

Ya feel me, dog?

Boxes

Check here for White,

Here, here, here, and here for

Black, Asian, Latino, and Native American.

Check here, here, here, here, and here for:

Male, female, trans, nonbinary, and agender.

Mark this box if you’re into your same gender,

This one if you’re into both,

This one for nether, this one if you’re into all genders,

And this one if you’re straight.

Check this box if you’re a liberal,

Here if you’re a progressive,

And here if you’re a democrat.

Here if you’re a republican,

Check here if you’re a conservative,

Here if you swing libertarian,

And here if you’re an independent.

We’ve become locked in these boxes,

Assigning roles to ourselves and others based on nothing more than the identities we’re born with or later choose.

I don’t mean to disrespect anyone or to confuse.

Having a place and community you feel safe in is great. But there’s no need to verbally bludgeon and abuse those we disagree with.

We’re so quick to demonize the other.

Have we forgotten what our mothers taught us:

Do onto others as you would have them do onto you.

We’re so much more than the boxes we’ve checked,

So, stow the hate and identity politics insanity

Before we’ve wrecked the one thing we’re all trying to protect:

Humanity.