Introduction

Welcome readers!

With primary season 2022 in full swing here in America, I thought it’d be a good idea to analyze political ads and what lessons they can teach us about storytelling. For those out of the loop, Americans vote for candidates in Congress every six years and the House of representatives every two years.

However, unlike in other countries where campaign spending is capped, in America candidates can spend unlimited funds on ads thanks to Citizens United, in which the Supreme court ruled corporations are people, money is free speech, and thus corporations can donate unlimited money to campaigns, political action committees (PAC) and superPACS. The former of which can donate directly to candidates and coordinate with them, while the latter can’t (but often do anyway).

As a result, in every election cycle, candidates flood Americans with emails asking for donations and bombard us with political ads.

Know Your Audience

But these campaigns don’t throw crap at the wall and see what sticks; they do their research and tailor each ad to a specific demo with a singular message that often boils down to their opponent is bad for X reasons but I’m good for Y reasons. And in recent years with the advent of social media, campaigns have been able to target their ads with laser precision to reach their intended audience, as seen in the 2016 when the Trump campaign used Facebook data harvested from Cambridge Analytica to target democratic voters disillusioned with Hillary Clinton and get them to vote third party.

 He also spoke to the feelings of disenfranchisement among older and working-class white people by harkening back to a simpler better time with his slogan, Make America Great Again, often shortened to MAGA.

 We also saw this in both Obama’s campaigns where he levied social media to connect with younger voters. In both cases, their ads spoke to their audience, admittedly in vastly different ways.

But how?

By speaking to their base, the hard-core fans who will go beyond voting for them to canvassing, calling, and taking people to the polls to vote.

How does this apply to writing?

 First, if you don’t find your base, your tribe, you may sell a few copies, but that’s where it stops. There will be little word of mouth, and few if any reviews. But by finding your base, you’ll have a crew of readers who will ride or die for you and your work and who won’t stop talking about you.

Second, if you don’t identify your base, any marketing and ads you do will fizzle out.

As I mentioned above, political campaigns may seem like they want everyone to vote for them, but they actually want higher voter turnout among their base than their opponents.’ This is because historically voter turnout has been low, especially in non-presidential elections, so while there may be more of them than you, it all boils down to getting out your base.

But how do you find your writing base?

You go where they go, frequent the websites they frequent, and connect with them. You find their likes and dislikes, their hobbies, their personalities, and their problems.

And you give them what they want/need.

Give Them What They Want

Political ads often prey upon people’s emotions, e.g. fear, anger, or uncertainty about the future. Again, going back to the Trump campaign’s 2016 run, they played on the fears and anger that white Americans and their values were being ignored and becoming irrelevant.

Likewise, in Lyndon B. Johnson’s famous daisy ad, which featured a little girl on a swing holding a daisy before it cuts to a picture of a mushroom cloud, only aired once. But the message was obvious: vote for Barry Goldwater and it’ll end with nuclear war with Russia.

In the infamous Willie Horton ad, which spawned a genre of attack ads based on racial fears, the 1984 George H. W. Bush campaign painted Dukakis as soft on crime by implying he would allow criminals like Horton on the loose to commit more crimes.

Horton, a Black man serving a life sentence for murder without prole, while on release on Massachusetts’ weekend furlong program, failed to return, and physically and sexually assaulted a white woman before a civilian later shot him.

 And more recently, Hillary Clinton’s 3AM ad with a red ringing phone, implied, then candidate Obama was ill prepared to handle the rigors of being president.

These quintessential attack ads did one thing: made people vote for the target’s opponent because they will stop the nightmare scenario from happening. They also created a us vs. them mentality, and if people are one thing, it’s tribal.

But how does this apply to writing?

Easy.

We all Want to matter

People want to be entertained. But more than that, they want stories that speak to them as a person. They want to be seen, to know they and their struggles matter, that they too can save the day and get a happily ever after.

The secret to giving readers what they want is to not try to please everyone.

 Instead, focus on one person, be that you or someone else, and write for them. Be specific and write from your experience. Write what scares you, what hurts, because if it resonates with you, it’ll resonate with others. Tell your truth, regardless of how ugly it may be or who may take offense, because your story demands to be told. Do this and you’ll find your audience and please them. But that’s not enough.

You must hook them and keep them hooked.

Hook The Audience Early

Because we live in a capitalist society, everything costs money, and political ads are no different. They, in fact, cost so much that they only have 30 seconds to hook audiences, keep them engaged, and tell their story.

Likewise, you only have a brief window to hook readers before they put your book down to do one of a hundred other things vying for their attention.

 One of the best ways to hook readers is by starting with a bang. While literal or metaphorical, you want your protagonists to be doing something when your readers meet them. One good way to insure this is by starting right in the middle of the action, aka in medias res.

Another way to hook readers early is by starting as close to inciting incident as possible, so they don’t have to slog through world building or character development that can come later.

Additionally, you could start at the end, then jump to the beginning, as masterfully done by Tarantino in Pulp Fiction.

You could also start by posing a question to the audience, such as in mysteries, and the quest to answer this question drives readers forward.

A similar technique is to add subplots with their own questions and move from one to another, answering one question as another arises to keep readers engaged and guessing what happens next.

But perhaps the best way to keep readers hooked is by making them care for your characters. They don’t have to like them, but they must feel something for them, and you do this by making your characters true to life.

We all have that one friend who reminds us of pretentious Holden Caulfield, bookish Hermione, or egotistical Victor Frankenstein; pull from your knowledge base and give your characters quirks and ticks of those you know. Make them act and sound like real people, complete with flaws and questionable morals.  

And once you’ve made readers care about your characters, send them on a journey that matters. Have them grow and change as the plot demands, not vice versa, and make them earn their endings.

But once the story ends, the actual work of getting reviews and further sales begins.   

Repetition, Repetition, Repetition

One reason political ads are often highly effective is a combination of superb storytelling and repetitions. During campaign season, you can’t escape ads; they flood the airwaves, internet, your email, phone (robocalls and texts), even video games are no longer safe as candidates have taken to appearing in games like Animal Crossing: New Horizons, MLB Live 08, and Burn Out Paradise.

The point being, repetition is key to building and growing your reader base. Research has shown it can take seeing an ad 3 times or more before people buy a product, which means you must be your own hype man for marketing your book. Of course, don’t engage in spam or dishonesty to get sales, but plug your book and talk about your writing often sopeople know it’s out there.

Yes, this means marketing yourself and your book (I know. It sucks.).  

Go All In

 If you don’t believe in yourself and your book, no one else will. Put everything you have into it and promoting it. Engage in hash tag games and Facebook groups, reach out to bloggers and your local media, run ads, do what you must to get the word out.

Because no one will care as much about your book as you.

One thing we can learn from political ads is how to be evangelists for our books.

Don’t back be shy about saying how much you love your characters and their story, how excited you are for people to meet them, and how much you hope readers get what you’re trying to do.

This too, means having an elevator pitch on lock and ready to go when asked what your book’s about, and what your next project(s) are. It also means having some way to connect with readers, be it on social media or via a newsletter, and keeping them posted on your work and yourself.

You could have the best book in the world, but if no one knows about it, then what?

This goes triple if you’re a self-published/indie author. If need be, take a public speaking course if you’re not naturally extroverted, read a few books or watch a few videos on Amazon ads, social media marketing, and growing your followers.

Do whatever it takes to let people know how outstanding your book is.

Conclusion

If you’re American,whomever you vote for in the midterms, do it because you’ve investigated them and their platform. None of the above matters if there’s no substance behind the candidate and the book.

Write stories only you can and fuck the haters.

In closing, I want to leave you with this quote from Marianne Williamson I think is apropos:

“Our greatest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, Who am I to be brilliant, gorgeous, talented, fabulous? Actually, who are you not to be? Your playing small does not serve the world. We were born to make manifest the glory of God that is within us. And as we let our own light shine, we unconsciously give other people permission to do the same.”

Thank you for reading and let me know your thoughts in the comments. Also, share this post if it spoke to you, and you can sign up to my newsletter for updates on me and my work here.